層疊矩陣——辦公空間中的穿越與漫步

最新 12-26

▲中庭之二

位於杭州濱江的dave&bella辦公總部，是該服飾品牌完成轉型升級後，為滿足新增功能需求而創造出的具開放性的、多種功能混合的辦公空間。項目設計需要針對其辦公功能需求，利用廢棄空間創造出突破原有局限的新型空間，打造出一個可以集聚綜合性辦公與配套輔助空間的多功能辦公總部。這也是現階段國內城市更新、空間再生的一個典型案例——舊廠房自用辦公空間的改造設計。

The new headquarters of dave&bella, located in Hangzhou』s Binjiang District, is a multi-purpose office building converted from a warehouse to accommodate the expanding business thanks to the company』s reformative business strategy. The main challenge is to curate an open spatial sequence suitable for mixed programs including general office space and a wide range of auxiliary functions. This project makes a good case in the context of contemporary Chinese urbanization in which the adaptive reuse of outdated warehouses is widely practiced as an urban renewal method.

▲中庭之三

該項目原有建築是一個50米見方、曾用於繡花產品生產的廠房，建於2003年。傳統的廠房空間、進深過大的平面形狀、規則的柱網排布，導致室內採光不足，限制了空間的靈活利用。設計師通過挖掘原有建築的使用潛力，打破原空間格局，重新規劃分區，加入獨特的新鮮元素，進而塑造出明亮、舒適、靈活多變的辦公空間。

The existing building is a 50m by 50m embroidery-manufacturing warehouse, completed in 2003. Characterized by the long spatial depth and rigid column grid, the conventional factory layout makes the interior under-lit and poorly ventilated, which hurts the versatility of the interior. The design proposes a total reconfiguration of the existing spatial order, maximizing the potential utility of the rigorous legacy structural grid. With the introduction of connecting tissues, LYCS aims to vitalize the linearity of the layout, achieving a versatile work space with plenty of light and air.

▲首層通廊

為解決採光不足的問題，設計師首先在室內空間中心區域置入了三個單柱跨的採光中庭，力圖給原本碩大且密閉的空間帶去相對充足的自然採光和新鮮空氣，所有的核心開敞辦公區域均沿中庭兩側的玻璃幕牆布置，間接進入的光線正好滿足了辦公所需要的光線照度。

To address the issue of lacking natural lighting, three atriums are introduced to the center of building mass. The atriums are fit into long-span structural bays, making them column-free light courts. LYCS also used full-height glass curtains around the atriums in order to bring more light to the desks, which is instrumental in bringing the lux level to a comfortable standard.

▲穿越庭院一角

三個中庭的出現，尤其是其兩側六個通高玻璃界面的置入，對整個建築的改造產生了一些更重要的影響：形成了層層遞進的空間秩序感。當人們按照設計的流線垂直於界面走動時，單層辦公空間與通高庭院的循環出現，創造了一個近人尺度的層疊空間序列。

The introduction of three atriums and interior glass curtains not only light up the building from inside but also establish a progressing spatial order to space. When following the designed circulatory path across the building, one constantly experiences alternating height differences that is signified by layers of glass curtains., which is very much relatable to human scale.

▲南立面入口

這個空間序列的進一步實現，是靠一個貫穿了整個廠房每一層空間的坡道、連廊與樓梯的體系來完成的，就像一個神經中樞穿越時空：它時而進入通高的中庭，時而進入狹小半私密的開敞空間，同時又連接著樓層之間的流線轉換。這個建築漫步式的體系不僅是交通的內核，更創造了一個豐富而富有身體節奏感的漫步秩序。與樓梯融為一體的連廊則弱化了固化的空間感，形成活躍的交通聚集空間，誘導人們通過這些路徑在不同的空間內交流與互動，激發使用者的創造力和對空間探索的慾望。

Such spatial order is further accentuated by a comprehensive circulatory system of ramps, catwalks, and stairs that connect different programs across all levels. This system cuts through a matrix of spaces/programs of diverse spatial qualities, serving not only as the traffic network but also as the apparatus of an architectural promenade, moderating the hierarchy of the established spatial matrix, bringing a perpendicular dimension. It also activates the interior, generally encouraging creativity and exploration.

▲東南側立面

建築的外立面採用了旋轉突出原有牆體的大型落地窗，不僅為建築外圍空間提供了充足的採光，也試圖打破原建築過於厚重的體量感，給予其更活潑的建築形象。

Full-height windows provide sufficient natural lighting along the perimeter. The angled and protruding window bays lighten the monolithic building mass, adding a little spice to the facade.