伊扎羅·萊爾基《零度》於中國歐洲藝術中心開幕

The CEAC exhibition "_Grado Cero_" by Izaro Ieregi (Bilbao)

will open this Saturday at 17:00 April 15, 2017.

畢爾巴鄂藝術家伊扎羅·萊爾基個展《零度》

今日在中國歐洲藝術中心開幕

The process of classifying and ordering a series of images found in the archive of "Lazkaoko Beneditarren Fundazioa" prompted me to rethink and decontextualize the actions represented, putting the focus on the performative character of these same. This project it is been a journey from the resistance to the pursuit of pleasure; has placed me in front of issues like the art structure versus culture system; identity built by ideology or built by the exercise of everyday life; when are we in the ideology of the subject and when are we in the ideology of art. To sum up, when is about the sign and when is about the symbol.

分類和整理圖像的過程驅使我重新思考它們所代表的行為，將其去語境化，而把重點放在表述行為的特徵上面。這一系列圖像是在 Lazkaoko 本篤會基金會（本篤會是天主教的一個隱修會）的檔案中找到的 。該項目是一個抵制尋歡作樂的過程；它讓我置身藝術結構對抗文化體系等問題之前；由意識形態或者日常活動所建立的身份；我們何時身處主體的意識形態中，何時身處藝術的意識形態中。總而言之，何時關乎符號，何時關乎象徵。

This Project comes from a research project that I have been developing for more than a year. I recorded different group of women performing actions based on a score written from a selection of images showing different actions, in order to investigate the de-ideologization of the images represented. In Bilbao first and then here in Xiamen, always following the logic of re-enactment.

該項目源自我已經做了一年多的一個研究。我用分數記錄了所選圖像中不同分組女人的表演行為。這些圖像表現了不同的動作。其目的是研究所代表圖像的去意識形態化。以前在畢爾巴鄂（西班牙港口）以及現在在廈門，都遵循了重現的邏輯。

For me it is important that if I want to treat subjectivity in social groups, how is it created, how is it held to question the representation and perception of images, to leave my own context to see reality as signs, that is, return to degree-zero. All this applied to the relationship between the body, the action and the gesture. Analyzing the body as an expression, as a gesture. It is said that the gesture is the semiotic evidence of language, that degree-zero we are talking about. The body reveals itself as a sign. Some figures that follow a score, and repeat the action in loop, in a non-naturality, even letting you see the hand that directs, literally.

我覺得很重要的一點就是如果我想在社會族群中處理主體，包括它是如何被創造的，以及它是如何持續質疑圖像的象徵和感觀的，離開我自己的環境，將事實作為符號來看待，也就是說，回歸零度。所有這些都能應用於身體、行為和姿態之間的關係。將身體作為一種表達，一種姿態來研究。據說姿態是語言符號證明，也就是我們所說的零度。身體作為一個符號呈現出來。一些人跟著一個分數，以一個圓圈的非自然性方式重複著這個動作，甚至允許你看到實際在操縱的手。

Approaching this same exercise repeatedly, in various contexts, helps me to dissociate itself from my goal and to focus on getting different results. The fact that all the figures are women is not a casual issue. The body that acquires presence in the actions that we understand as real (In this case the archive images) it is the man ones. I want to impose on the viewer the woman s body with all its carnality. Through the imitative component of re- enactment and the use of repetitive strategies come to non-naturality and make way for new signifiers.

在不同背景下反覆接近這個相同的活動讓我得以將它從我的目標中分離了出來，而只把注意力放在獲得不同結果上。所有人物都是女人，並非偶然。這些動作中需要出現的在我們理解之中真實存在的身體（在本案例中即檔案圖像）是男性的。我想給觀眾施以充滿肉慾的女性酮體的印象。通過重現的模仿性元素和重複策略的使用，實現非自然性，並為新的信號物創造條件。

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