義大利的M89酒店

最新 07-20

在該建築的對面，那裡採用了Caproni工廠有韻律的一系列磚塊，擁有棚屋頂和工業考古學魅力：M89酒店 - 通過Mecenate的89號新的四星級目的地，面向工廠大廳，一百年前，由Piuarch改造和擴建項目之後，該公司已是領先的航空公司之一，現在也是Gucci的所在地。

From the architect. Opposite the building, there is the rhythmic series of brick blocks of the Caproni factory, with their shed roof and industrial archaeology charm: the M89 Hotel – the new four-star destination at number 89 of via Mecenate– faces the factory halls that one hundred years ago hosted one of the leading aviation companies and which are now home to Gucci, after a meticulous renovation and expansion project by Piuarch.

新總部成立後的幾個月，Piuarch已在米蘭東郊開展了一個新的項目，以加強其向城市開放的動態商業中心的特色。與周邊城市布局的對話 - 應用於時尚公司佔地面積超過3.5萬平方米的生產工廠的概念的支點，也定義了酒店設施項目，該項目的建築設計與預先存在的體量，增強鄰里的建築特徵。

A few months after the inauguration of the maison new headquarters, Piuarch has started a new project in the east outskirts of Milan, to reinforce its character as dynamic business hub, opened to the city. The dialogue with the surrounding urban fabric – fulcrum of the concept applied to the over 35,000 m2 of the production plant occupied by the fashion company–, also defines the project for the hotel facility, whose building is designed in continuity with the pre-existing volumes, enhancing the architectural identity of the neighbourhood.

在外面，酒店暗示著工廠大廳的輪廓：底層設有寬大的玻璃幕牆，帶有金屬格柵，工業建築的高度相當於街道上可滲透門面的理想延續。相反的，屋頂以現代化的方式重新詮釋了工業系統：蓋子形成一個迷人的複雜形狀，並退回到由玻璃幕牆構成的露台上。屋頂還設有全景餐廳，可欣賞到米蘭天際線的景緻，既向酒店客人和公眾開放。

On the outside, the hotel hints at the outline of factory halls: the ground floor features a wide glass wall with a metal grate, at the same height of the industrial buildings as an ideal continuation of the permeable facade on the street. The roof, instead, reinterprets the industrial shed system in a contemporary key: the cover takes the shape of a fascinating complex profile and takes a step back to leave room to the terrace framed by full-height glass walls. The roof also hosts the panoramic restaurant, with a view of the Milan skyline, open both to hotel guests and to the public.

在室內，酒店擁有與其外表相同的簡約特徵：其商業用途激發了流線型設計，圍繞炭疽灰色，白色和綠色之間的精緻色彩對比，以及現代傢具和標誌性的20世紀50年代的混合體。

Indoors, the hotel boasts the same minimalist character of its enclosure: its business vocation inspires a streamline design, revolving around refined colour contrasts between anthrax grey, white and green and a mix of contemporary furniture and iconic 1950s pieces.

在入口，一個大型的流體區域設有接待處，大廳備有舒適的沙發，擱置在地毯的幾何圖案上，還有一個酒吧：白色的天花板，閃爍著圓柱形的燈具，與六方地板磚形成對比，營造出令人回味的裝飾效果；炭疽灰色牆壁代替裝飾著再現前Caproni工廠的建築遺產的印刷品，我們在頂層的餐廳區域再次找到。

At the entrance, a large fluid area hosts the reception desk, the lobby –with its comfortable sofas resting on the geometric patterns of the rugs–, and a bar: the white ceiling, spangled with cylindrical light fixtures, is in contrast with the hexagonal floor tiles, creating an evocative decorative effect; the anthrax grey walls, instead, are embellished with prints reproducing the architectural heritage of the former Caproni factory and which we find again in the restaurant area on the top floor.

從第一層到第五層共有50間客房和5間套房，其內部裝飾為公共區域的負面部分：牆壁是白色的，天花板是灰色的，從而為私人區域提供更大的亮度。面積分別為24平方米和42平方米，房間與套房的區別是細節處理，橡木鑲木地板比優雅的胡桃細木護壁板更加珍貴。

The floors from the first to the fifth host the 50 rooms and 5 suites, whose interiors are decorated as a negative of the public areas: the walls are white and the ceiling is anthrax grey, thus delivering greater brightness to the private areas. With a surface of 24 m2 and 42 m2 respectively, what differentiates the rooms from the suites are the finishing details, more precious in the suites with oak parquet floors and elegant walnut boiserie.

沒有什麼是多餘的，建築材料和功能布局的巧妙結合確保了建築的完美結合，這個項目可以在室內外之間創造出完美的一致性，以及頂層的多面輪廓作為修復建築的真正角色。

Nothing is superfluous and the décor is ensured by the wise combination of materials and functional distribution, for a project that creates perfect consistency between indoor and outdoor, with the crowning and its multi-faceted outline as the true protagonist of the restored building.