你有一份來自 Jennifer Bin 的調色配方，請查收
Jennifer Bin』s Recipes
C5 – Chromatic +4.0 / Contrast +3.3 / Temperature -2.7 / Sharpen +0.9 / Fade +1.4
通過VSCO新出的配方工具，你現在就可以保存下你喜歡的配色套設，以展現你獨特且一貫的風格。每個 VSCO 的用戶都可以免費保存 1 款調色配方。若想保存 10 款調色配方，請開啟你的 VSCO X 免費試用，以獲取整套濾鏡庫、最新編輯工具和教程內容。
來自上海的設計師和攝影師 Jennifer Bin 透過鏡頭，以獨特的視角定格當今的世界。她獨特的編輯方式，將人們熟悉的城市景觀變幻成超現實的場景，明明是來自日常的場面，看上去卻像是賽博朋克風（Cyberpunk）電影中的劇照。近期，她和我們分享了一款她使用 VSCO 時的私人調色配方。
With the new VSCO Recipes tool, you can now save your favorite combination of edits to recreate looks that feel consistently you. Everyone using VSCO can start by saving one recipe. To save up to ten recipes, you can begin your VSCO X trial and gain access to the complete preset library, newest editing tools, and inspiring educational content.
Jennifer Bin is a Shanghai-based designer and photographer who offers a different perspective of our modern world through her lens. Her unique editing approach transforms familiar cityscapes into surreal scenes that often more closelyresemble stills from a cyberpunk blockbuster than real life. Recently, we had her share one of her VSCO Recipes with us.
Jennifer Bin 的創作靈感包括威廉·吉布森（William Gibson）的科幻小說《神經浪遊者》， 雷德利·斯科特（Ridley Scott）導演的電影《銀翼殺手》和動畫大師大友克洋（Katsuhiro ?tomo）的《阿基拉》，但她並不認為自己照片是對這個世界虛構式的寫照，她相信，這些早期科幻作品所設想的未來已經悄然出現在我們的生活中，而她的照片正是證據。「我們現在生活的世界就是一個『異托邦』（Heterotopias）。」她解釋道，「我們可以看到在早期科幻作品中所呈現的烏托邦和反烏托邦元素。先進的科技和突破可以看作是『烏托邦』，但與此同時，它們也很可能會被用於不道德的用途上，或是導致不必要、不可預見的後果。」
Jennifer Bin cites the likes of author William Gibson』sNeuromancer, director Scott Ridley』sBlade Runner, and animator Katsuhiro Otomo』sAkiraas inspirations, but she doesn』t see her images as fictional portrayals of our world – she believes the future envisioned by these past works of science-fiction have already snuck up on us and her images are proof. 「The world that we』re living in now is a heterotopia,」 Bin tells us. 「We can see both the utopian and dystopian elements of sci-fi from yesteryears. There are promising technologies and breakthroughs that can be seen as utopian, but at the same time, they can easily have dark applications or result in unwanted, unforeseen consequences.」
作為一名攝影師，Jennifer 認為圖片編輯是創作過程中的一個關鍵部分。雖然構圖和取景也很重要，但後期編輯可以讓她用另一種方式，將觀眾的注意力轉向照片中某些特定的元素。「當你調整照片的顏色時，同時也會改變照片整體的情緒氛圍。色彩的運用是調用情緒的關鍵。」她補充道。
Bin regards editing as an essential part of her creative process as a photographer. While composition and framing are important factors, editing is another way for her to direct the viewer』s attention towards certain elements in each frame. 「When you manipulate the colors of an image, it changes its overall mood as well,」 she adds. 「The use of color is key to invoking the right emotions.」
Jennifer的攝影作品體現了一種統一的審美風格，但她從不害怕充滿實驗精神的創作。她喜歡通過不同VSCO配方來擺弄各種編輯工具。有時，她會基本保留住相機原圖，只是對照片做微調；有時候，她又會徹底地改變照片原本的色彩，總之，她不斷向人們展示了自己大膽的創作風格，不斷突破自己的創作界限。
While a cohesive aesthetic is observable throughout her photography, Bin isn』t afraid to experiment. She often tinkers with her editing tools or cycles through different VSCO Recipes. From minimal edits where much of the work is already done in-camera to a complete reimagining of an image』s original colors, Bin repeatedly demonstrates a daringness to expand her creative boundaries and defy expectations.
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