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收藏:香爐價值到底怎麼樣?香爐珍品難尋!

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"方知藝術"作為一個古董古玩收藏品市場真實信息的彙集地,一個藏友發布藏品交易信息的平台,旨在為了幫助藏友認知真實的古董古玩收藏品市場,幫助廣大藏友出手藏品。特意開展藏友曬寶活動,歡迎廣大藏友關注我們的公眾號,參與到我們的曬寶活動中來,無論您是想要發布藏品出手信息,還是想要求購什麼藏品,5萬藏友在「方知藝術」等著您!

爐是香道必備的器具,(西關銅藝)香爐是華人民俗、宗教、祭祀活動中必不可少的供具。歷代使用的香器包含博山爐、手爐、香斗、卧爐、香筒等不同形制的香爐,以及熏球、香插、香盤、香盒、香夾、香鏟、香匙、香筒及香囊等配套器具。

The stove is the essential equipment of the fragrant Road, and the censer is an indispensable supplier of Chinese folklore, religion and sacrifices. The incense used in the past dynasties includes the Boshan furnace, the hand stove, the scent, the supine stove, the incense tube and other different kinds of fragrant furnaces, as well as the supporting instruments such as the fumigating ball, incense plug, incense plate, fragrant box, incense clamp, spade shovel, spice, scent and sachet.

隨著國內沉香收藏的市場興起,三足爐就成為香友們熱衷的一個香具品種,但是,由於種種原因,我們的香道文化走到今天存在著斷崖式的缺失,很多朋友也是對宣德爐、三足爐這類的香具一竅不通,今天,筆者就和大家簡單聊一聊這名揚天下的宣德銅爐、三足爐。

With the rise of the domestic market for the collection of incense, the three foot furnace has become a variety of fragrant incense that fragrant friends are keen on. However, for a variety of reasons, our fragrance Road culture has gone to the absence of the cliffs today. Many friends are also not familiar with the incense, such as the Xuan de furnace and the three foot furnace. Today, the author and the people are simple. Talk about this famous bronze stove and three foot stove.

明清時期銅器與以往其他朝代的銅器有一個本質的不同,就是他的材料,開始使用黃銅。

青銅器相信很多參觀過博物館的朋友都有所了解,它的質地性脆、易銹,所以,大家在博物館所看到的大量青銅器,大多都是紅斑綠綉斑駁不堪的一種狀態。而黃銅相比青銅耐腐蝕的程度就要好於青銅,銅製器皿的地位在古代實際上是比今天高很多的,今天隨著冶金開採技術的發展人們不再對一件銅製器皿有那麼大的興趣,但是,在古代則不然。

In the Ming and Qing Dynasties, there was an essential difference between bronze ware and other bronze vessels of other dynasties.

The bronze ware believes that many friends who have visited the museum have a good understanding of it. It is crisp and rusty, so many of the bronzes that you see in the museum are mostly a state of red mottle and green mottle. Compared with bronze, brass is better than bronze. The status of copper utensils is actually much higher in ancient times than in the ancient times. Today, with the development of metallurgical mining technology, people no longer have so much interest in a copper vessel, but not in ancient times.

在古代銅其實作為基礎貨幣材料,很多銅製藝術品在特殊時期是可以被熔煉重新鑄造的,所以,也導致了很多古代銅製藝術品沒能留存至今。這點從我國古代鑄造鐵錢就可以看出,例如,我國宋代與契丹民族接壤的地區大多使用鐵錢進行貿易,由於契丹民族習慣使用金屬器皿,而銅錢在貿易之後沒能再次迴流,導致中央政府的交易貨幣短缺,所以大量的鑄造鐵錢進行貿易,其中「大觀通寶」的鐵錢也從側面印證了當時銅的珍貴性。

In ancient times, copper is actually a basic monetary material, and many copper works of art can be smelted and recast in special times, so many ancient copper works of art have not been retained so far. This can be seen from the casting iron money in ancient China. For example, most of the areas in the song and Qidan nationalities in China are used to trade with iron money. Because the Khitan people are used to the use of metal utensils, the copper money has not been reflued again after the trade, resulting in the shortage of the central government"s trading currency, so a large amount of iron money has been cast into it. In doing trade, the iron money of "Grand View Tong Bao" also confirms the precious nature of copper at that time.

鄭重提示:

1,不收購,不上門

2,贗品與當代工藝品不合作

一件藏品出手的五大必備條件:

1.藏品要好(符合市場需求);2.選擇好的市場;3.公司的平台有實力;4.有實力的買家資源;.5.價位要合理。

(新加坡、德國柏林、迪拜、澳大利亞悉尼)

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