法比奧·比昂迪的維瓦爾第歷險記

最新 05-21

Concerto In F major "L"autunno" RV 293 I. Allegro 3

Vivaldi

Fabio Biondi

00:00/03:10

Concerto In F major "L"autunno" RV 293 II. Adagio

Vivaldi

Fabio Biondi

00:00/02:40

Concerto In F major "L"autunno" RV 293 III. Allegro

Vivaldi

Fabio Biondi

00:00/03:03

維瓦爾第《四季》- Europa Galante, Fabio Biondi violin

THE VIVALDI ODYSSEY BY FABIO BIONDI

法比奧·比昂迪的維瓦爾第奧德賽之旅

By Eric Dahan

作者：埃里克·達漢

- June 23, 2001 at 1:20 am

- 2001年6月23日凌晨1點20分

Founded ten years ago, the Europa Galante ensemble conquered audiences and critics with the juicy, sunny sound of Bach or Boccherini, the sparkling bow and the innovative articulation of its founder, the virtuoso violinist and musicologist Fabio Biondi .

十年前成立的歐洲嘉蘭古樂團，用生動的、和煦的巴赫或博凱里尼的聲音，以及其創始人、藝術大師、小提琴家和音樂學者法比奧·比昂迪那熠熠生輝的琴弓、新穎的清晰發音征服了觀眾和評論家。

The Four Seasons, Violin Concerto No. 3 in F Major, RV 293 "L"autuno"

The Golden Age of Italian Baroque Music

Europa Galante

00:00/11:14

But nothing foreshadowed the shock of his first engraving for Opus 111 Four Seasons Vivaldi, prancing at the head of French record sales in 1996 with 400,000 copies sold. The magazine Stereo Review, speaking of "historical reference", will evoke "the same impression that would seize at the sight of a painting of Caravaggio or Tiepolo freshly restored,the brilliance of the colors, this passion absolutely Italian, who suddenly find their power of seduction beyond the centuries.」

但沒有什麼能預示他第一次為Opus 111公司錄製的維瓦爾第的《四季》（Vivaldi The Four Seasons Spring:Violin Concerto in E, Op.8, No.1, RV269，Summer:Violin Concerto in G minor, Op.8 No.2, RV215，Autumn:Violin Concerto in F, Op.8 No.3, RV293，Winter:Violin Concerto in F minor, Op.8 No.4, RV297）所帶來的震撼，這張唱片以40萬張的銷量躍居1996年法國唱片銷售排行榜榜首。《立體聲評論》(The magazine Stereo Review) 雜誌談到「歷史的參考」，（這張唱片）會喚起「如同在眼前看到一幅卡拉瓦喬(Caravaggio)或蒂普洛(Tiepolo)最新修復的畫作，色彩的光輝、這種義大利式絕對的激情，產生同樣的印象，會突然發現其魅力跨越了幾個世紀。」

Sonata in re minore per violino e basso, Op.6 No.12 I Adagio

Italian Violin Sonatas

Fabio Biondi

00:00/05:04

Five years later, Biondi, born in Palermo on March 15, 1961 and discovered at the age of 16 in Marc Minkowski"s sets, Jordi Savall and Gérard Lesne, published Il Cimento dell"armonia e dell"inventione, a collection of twelve Vivaldi concertos (including the Four Seasons) being his first release at Virgin Classics. Innovative, this recording is as much as the first by the violence of the attacks and the dynamic contrasts, the delirious tempos demanding of the baroque instrumentalist of the technical prowess that was thought to be reserved for the romantic world, and especially a sum of intentions interpretative interpretations that make it no longer a program decorative work, but a psychological odyssey. The opportunity for an explanation with the interested party.

比昂迪於1961年3月15日出生於巴勒莫，16歲時在馬克·明科夫斯基(Marc Minkowski)的套裝錄音中被發現，還有朱迪·薩瓦爾(Jordi Savall)和傑拉德·萊斯內(Gerard Lesne)，五年後出版的作品是《和聲與創意的實驗》(Il Cimento dell』armonia e dell』inventione)，這是他第一次在維京古典(Virgin Classics)發行作品，維瓦爾第的這十二首協奏曲，其中包括《四季》(the Four Seasons)。創新，這個錄音幾乎是第一次以激烈的力度和動態對比、發狂的節奏要求巴洛克樂器演奏家具備超凡的技術實力,這被認為是留給浪漫世界的,特別是一些意圖作為說明的解釋,使裝飾性工作不再是問題,但這是一次心理歷險。與相關方進行解釋的機會。

L"Autunno, RV 293: I. Allegro

Vivaldi: The Four Seasons

Fabio Biondi

00:00/04:57

L"Autunno, RV 293: II. Adagio

Vivaldi: The Four Seasons

Fabio Biondi

00:00/03:11

L"Autunno, RV 293: III. La Caccia

Vivaldi: The Four Seasons

Fabio Biondi

00:00/03:06

Eric Dahan ：What did you learn about Vivaldi"s manuscripts compared to the Leceneedition?

埃里克·達漢：與勒森版相比，你從維瓦爾第的樂譜手稿中了解到了什麼?

Fabio Biondi ：For the Lecene edition, Vivaldi had gathered concerti written at different moments of his life, and, for a greater diffusion of his music, had erased the most difficult aspects of execution of certain pieces written to satisfy the narcissism of virtuosos and amaze the audience hungry for sensations. In addition to bursting with fingerings and bow styles, the manuscripts can be used to follow Vivaldi when he composes. Why such erasure here, such an addition there ...

法比奧·比昂迪：在勒森版中,維瓦爾第將他生活的不同時刻匯聚在協奏曲之中,為了他的音樂更大範圍地傳播,他抹去了一些為滿足大師的自我陶醉和使聽眾感到吃驚的渴求而寫的最難演奏的片段。除了用不同的指法和弓的類型，手稿可以追隨維瓦爾第作曲時的足跡。為什麼這裡有這樣的塗抹的痕迹，那裡還有一個……

In the manuscript of the Tempesta di Mare, we discover the formation of the Dresden court orchestra of which Pisandel, who will do much for the diffusion of Vivaldi"s music in Germany, was the first violin augmented by two oboes and a bassoon that give an interesting color. In the Estate, we discover an agogic relationship (which changes the tempo transiently) and a very strong metronomic between the storm and the adagio, which means that Vivaldi sought, by this sequence, to suggest a presurrealist emotion.

Violin Sonata in G Major: I. Siciliana

The Poet

Fabio Biondi

00:00/03:22

在《海上風暴》（Op. 8 No. 5 Concerto In E Flat Major ，RV253"La Tempesta Di Mare"）的手稿中，我們發現了德累斯頓宮廷管弦樂隊的組成，皮森泰爾（Johann Georg Pisendel 1687–1755，德國德累斯頓宮廷管弦樂隊的領導者，德國著名音樂家、小提琴家、作曲家，當時歐洲最好的小提琴演奏家。）將會為維瓦爾第的音樂在德國的傳播做大量的工作，他把第一小提琴搭配兩個雙簧管和一個大管加以增強，呈現出一種有趣的色彩。在音樂構建中，我們發現了一種緩急的關係(這改變了瞬間的節奏)，在暴風雨和柔板之間製造出一種強有力的節奏，這意味著維瓦爾第通過這種順序安排暗示了一種先驗的現實主義情感。

Violin Sonatas No. 10 in G Minor, Op. 1, B.g 10 "Didone abbandonata"

The Golden Age of Italian Baroque Music

Fabio Biondi

00:00/15:41

Eric Dahan ：Why did not Vivaldi leave a violin treatise?

埃里克·達漢：維瓦爾第為什麼沒有留下小提琴方面的專著?

Fabio Biondi ：At the crossing point of the old baroque school and the Neapolitan gallant school, Vivaldi"s work can be considered as an encyclopaedia of the possibilities of the violin of its time. And to return to the Four Seasons, I believe that this work, which we have been playing for ten years, has become the mirror of the life of our ensemble, as it now seems to me to document the life and psyche of the eighteenth century in a revolutionary way.

法比奧·比昂迪：在古老的巴洛克學校和那不勒斯嘉蘭學校共同影響下誕生的維瓦爾第的作品可以被看作是那個時代小提琴的各種可能性的百科全書。再回來說《四季》，我相信，這部我們已經演奏了十年之久的作品，已經成為我們樂團生活的一面鏡子，就像我現在用一種革命性的方式來記錄18世紀的生活和心靈一樣。

If it were only to reproduce the song of the birds, we would have tired of it. It may seem paradoxical, but the respect of the baroque letter leads us to express modern and modern things with Vivaldi.

如果只是為了重現鳥兒的歌聲來創造音樂，我們就會感到厭倦。這看似有點矛盾，但是出於對巴洛克音樂的尊重，我們選擇用維瓦爾第的方式來表達現代和現代的東西。