精品鑒賞：設色工筆高士觀雲圖
張大千是二十世紀中國畫壇最具傳奇色彩的國畫大師，無論是繪畫、書法、篆刻、詩詞都無所不通。早期專心研習古人書畫，特別在山水畫方面卓有成就。後旅居海外，畫風工寫結合，重彩、水墨融為一體，尤其是潑墨與潑彩，開創了新的藝術風格。他的治學方法，值得那些試圖從傳統走向現代的畫家們借鑒。
Zhang Daqian is the most legendary master of Chinese painting in the 20th century. No matter whether it is painting, calligraphy, seal cutting, or poetry, it is everywhere. In the early days, he devoted himself to studying ancient paintings and calligraphy, especially in landscape painting. After living overseas, the painting style workers combined, heavy color, ink integration, especially ink and color, created a new artistic style. His method of study is worthy of reference for those painters who try to move from tradition to modernity.
名稱：：設色工筆高士觀雲圖
規格：長：67cm 寬：29cm
類別：字畫 年代：近代（張大千）
畫家舍慣用的梧桐樹下覓句，改對岩隙探首伸出的老梅思索。布局、筆墨皆取法漸江，方折用筆繪岩層，極得嶙峋崚嶒之狀，尤見明顯。惟配置高士，以細筆薄染出之，於清疏逸意境中，稍添生氣，與漸師畫境略異矣。畫中所鈐"元"朱文印、取"元"與"爰"音同，即示其名。此印與另一"季"字白文印，屬一對印，偶用於二十年代晚期作品上。今僅鈐其一，配"大千"白文印，意義、章法具合，在傳世畫跡中較為稀希見。
Name: Color-setting brush Gao Shiguan cloud map
Specification: Length: 67cm Width: 29cm
Category: Painting Age: Modern(Zhang Daqian)
The painter used the sentence under the sycamore tree to change the old plum thinking on the rock gap. The layout and ink are all taken from the river, and the square is folded with a pen to paint the rock layer. However, with the configuration of Gao Shi, it was dyed with a thin pen. In the artistic conception of Yuqing, he was slightly angry and slightly different from the gradual teacher"s painting. In the painting, the "Yuan" Zhuwenyin, the "Yuan" and the "" sound are the same, that is, the name. This print and another "season" white print are a pair of prints and are occasionally used in works in the late 1920s. This is only one of them. It is accompanied by the "Great Thousand" white print. The meaning and chapter method are combined. It is rare in the handed down paintings.
此畫筆墨清雅，線條漂移靈動，意境頗佳。在畫中，高士寬袍大袖，衣袂飄逸，兀立於巨石之上，凝視遠方。人物面部淡定儒雅，表現出高士的從容和洒脫。
This painting is elegant and elegant, the lines drift and move, and the mood is quite good. In the painting, Gao Shikuangpao has large sleeves and elegant clothes. He stands on top of a huge stone and stares at the distance. The face of the character is calm and elegant, showing Gao Shi"s ease and ease.
其用筆行雲流水，緊勁連綿，使得整體構圖虛實相生，立體感極強；特別是點苔的手法，錯落有致，層次分明，而人物形神畢現。此外，在色彩運用和配搭上也極見用心，主體薄敷淡彩，勾勒合宜，整幅作品充滿了清和曠遠之氣，是中國文人水墨畫的完美體現。
It uses pens to flow water, and it is tight and continuous, making the overall composition imaginary and realistic, and the three-dimensional sense is extremely strong; In particular, the technique of pointing Moss is patchwork, layered, and the character shape is revealed. In addition, in the use and matching of color is also very attentive, the main body thin apply light color, outline appropriate, the entire work is full of Qing and Yuan Yuan gas, is the perfect embodiment of Chinese literati ink painting.
「高士圖」是歷代人物畫中的重要題材，畫家們喜歡描繪古代品行高尚之士超凡脫俗的氣質和高雅的生活情趣，以表現對高士的仰慕或對其生活狀態的追求和嚮往。
"Gao Shi Tu" is an important theme in the paintings of ancient characters. The painters like to depict the extraordinary temperament and elegant life taste of ancient people with noble character, in order to express their admiration for Gao Shi or their pursuit and longing for his life status.
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