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如蝸牛殼般盤旋上升的螺旋空間

Aruá Building / FGMF Arquitetos


如蝸牛殼般盤旋上升的螺旋空間

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來自建築事務所的描述:Aruá公寓由4個不同的體塊組合而成,形成垂直循環的系統,該項目外觀形態就如同不同高度與造型組合而成的拼貼圖形,這些體量組合在一起形成向上盤旋的視覺效果,因為這些體量的高度各不相同,從而呈現出螺旋上升的狀態,因此這座建築得名「Aruá」,意為「蝸牛殼」。

Text description provided by the architects. The Aruá building was designed considering 4 different blocks joined by a common vertical circulation. The work is similar to a jigsaw puzzle made up of four buildings with different blueprints and heights, merged into one. The combination of these volumes forms an ascending spiral, as each block has a floor that is higher than the previous one. This movement inspired the building』s name, meaning snail shell in Tupi.


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


建築的每個體量都結合有一系列的樓頂住宅,這些住宅都帶有花園和露台,這有別於通過二樓所進入的開放區域,這些空間形成獨特的私家院落。每個體塊有著不同的完成效果,從而在強調自身體量的同時,也平衡了建築的不同部分。

The strategy of each volume with a different template enabled a series of penthouses with verandas and gardens at the same level, like the yard of a house, different from the usual access to the open area exclusively through a second floor. Each block received a different finish, to accentuate the difference in the blueprint and occupation of each of the volumes that comprise the building.


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


這座建築的設計參考了許多巴西優秀現代建築作品,其入口門廳完全開放,其下方是外覆包層的混凝土柱子,場地的景觀設計符合熱帶氣候,其中有著藝術家Jo?o Nitsche用混凝土面磚製作而成的大型藝術面板。建築的開口處設置有滑動百葉,人們可以通過開敞的混凝土入口進入建築,這個灰空間也表達了私人空間與公共空間之間的過渡,同時還設置有長凳供人們休息。

The building includes many references to good Brazilian modern architecture. The entrance hall is entirely open underexposed concrete columns; the landscape designs are quite tropical; there is a large art panel made of cement tiles by artist Jo?o Nitsche; the openings in the apartments have sliding shutters, and the building is accessed through an exposed concrete entrance that marks the transition between public and private, and also serves as a sidewalk bench.


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


建築師從項目初始就充分考慮了最終的建築體量,因為場地面積、建築面積、功能需求以及模板尺度等之間的比例關係與規範使得該項目的布局較為緊湊,因此,多樣化體量便應運而生。這些體塊之間的關係體現於建築立面和入口處,尤其是在小型體量上。建築師還運用了合成面板。設計方案把建築對場地的影響降至最低,同時與城市街道形成對話,讓建築與市民、城市之間的關係更加親密友好。

The final architectural volume of the project concerned the architects from the beginning, as the legislation pertaining to the ratio between land area, constructed area, occupation need, and template forced a result somewhat robust and compact. To that end, the use of volume variation also allowed for a plastic approach to the implementation of these volumes, reinforced in the meticulous fa?ades and entrance, especially in the smaller volume, entirely lined with synthetic decks. The plastic result of the set seeks to minimize the impact of the new construction, establishing a dialogue with the urban morphology of the streets, making this a friendlier building to pedestrians and the urban fabric.


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


如蝸牛殼般盤旋上升的螺旋空間


建築設計:FGMF Arquitetos

地點:巴西,聖保羅

項目發起人:Fernando Forte, Louren?o Gimenes, Rodrigo Marcondes Ferraz

主創建築師:Fernando Forte

面積:3700.0 m2

項目時間:2018年

攝影:Rafaela Netto

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