高超技藝：漂浮的「夢想之柱」，交錯的光影變化！

設計 06-02

由於MARC FORNES / THEVERYMANY的遠見卓識和高超技藝的結晶，在北卡羅萊納州夏洛特上空盤旋著一個雲狀的隊形。「夢想之柱」是一個輕質結構的地標性展館。

雖然它的多孔體似乎漂浮在空氣中，但每一個都由一個連續的超薄鋁結構外殼支撐。迷宮般的組件在每一個表面展開成兩層，在樹冠上產生小孔，並在雙曲相交的地方收縮，或分解成9根空心柱中的一根。複雜的天篷產生了一個隱含的內部與有節奏的陰影和交錯的光一起變化。

a result of the vision and craft of MARC FORNES / THEVERYMANY, a cloud-like formation hovers in charlotte, north carolina. 『pillars of dreams』 is a landmark pavilion and lightweight structure. while its porous volumes seem to float on air, each is supported by a continuous structural skin in ultra-thin aluminum. a labyrinth of components unfurl across each surface in two layers, producing apertures across the canopy and contracting where the double-curvature meets at seams or resolves into one of nine hollow columns. the complex canopy generates an implied interior transformed with rhythmic shadows and staggering light.

MARC FORNES / THEVERYMANY引入了典型的工作室原型結構的集合球體的延續。有了「夢想之柱」，這些構件就被拋到空中。它們從26英尺的高空升起，看起來像氣球一樣漂浮著。

雖然這些體量不是由氦或二級結構支撐的，但在氣球狀聚集體上伸展的表皮是自我支撐的。兩層3毫米表面的複雜圖案在大的雙曲率區域和管狀柱的密集或受約束的曲率之間進行協調。

MARC FORNES / THEVERYMANY introduce a continuation of the aggregated spheres typical of the studio』s prototypical structures. with 『pillars of dreams,』 these components are thrust into the air. rising 26 feet overhead, they appear to float like balloons. while the volumes are not supported by helium nor by a secondary structure, the skin that stretches over the balloon-like aggregate is self-supporting. the intricate patterning of the two-layer, 3 millimeter surface negotiates between the large areas of double curvature and the intensive, or constrained curvature of the tube-like columns.

用兩個調色板表示的表面包括超薄表皮的兩個面。分割是將三維網格分解成線性或非線性條紋的過程。通過基於代理的搜索協議產生的非線性條紋是代理人的不明確行為的結果，這些行為在緊張的轉彎中改變了它們的態度。當它們在接縫處聚集併到達地面時，它們會發現線形條紋。在膨脹擴展中，它們表示計算描述的遞歸質量。圖案中的分叉和裂縫收緊並擴散，以產生孔隙。就像泡泡糖被吹到爆開的程度，使球體表皮變得更薄，更開放，更廣闊，讓光線更容易通過。在體量融合的地方，它們之間的條紋變得更加密集，從而提高了結構性能。

surfaces expressed in two color palettes comprise the two faces of the ultra-thin skin. segmentation is the process of decomposing a three-dimensional mesh into linear or non-linear stripes. produced by parallel agent-based search protocol, the non-linear stripes are the result of the indecisive behavior of the agents, which change their attitudes in tight turns. as they come together at seams and make their way to the ground, they find alignment as linear stripes. across the ballooning expanses, they express the recursive quality of the computational description. bifurcations and splits in the pattern tighten and spread to produce porosity. like bubblegum blown just to the point of popping, the skin becomes thinner and more open across the wider expanses of the spheres, allowing light to come through. where the volumes merge, the stripes between them become more densely packed, lending to the structural performance.

白色的外觀覆蓋了內部飽和的顏色。面紗上的開口暗示了內部的能量，在那裡交叉疊層的條紋在一組明亮的色調從內部透出。

從遠處看，結構呈現出柔和的色調，但觀眾仍然可以看到漸變的脈衝輝光。它吸引了街上的目光，但必須走近才能被人理解。色彩的強度隨著展館附近遊客的增加而增加，最終在進入展館時被包圍。

the white exterior face shrouds the saturated coloration on the interior. openings in the veil suggest the the energy inside, where cross-laminated stripes in a set of bright hues peek out from the interior. from a distance, the structure strikes a soft tone, but the viewer can still register the pulsing glow of the gradient within. it catches the eye from the street but must be approached to be understood. the intensity of color grows as visitors near the pavilion and are finally enveloped upon entry.