孤獨的房子：Sejkko的傳統葡萄牙家園的超現實照片

孤獨的房子：Sejkko的傳統葡萄牙家園的超現實照片

生活在葡萄牙的委內瑞拉移民的兒子，攝影師Manuel Pita，也被稱為「Sejkko」。他是一位在Instagram上表達自己創造力的科學家和攝影師。他在最新的系列作品「孤獨的房子」中，Sejkko的超現實主義照片拍攝了葡萄牙傳統的房屋，並「儘可能貼近我看到它們時的樣子」，他解釋說。

他的昵稱Sejkko來自日本Seikko，意思是「真誠的孩子」和「真理的力量」。這正是Sejkko試圖在他的藝術中傳達的品質。

通過「孤獨的房子」的顏色、建築和環境，Sejkko傳播童年回憶中的家鄉感。

回顧一下，我覺得我是一個孩子，出生在熱帶地區，似乎帶著另一個家的記憶。一個柔和的家，幾乎無法察覺，在我內心擁有微妙的聲音。我的新家的顏色讓我著迷，同時與我內心的記憶進行對比。

我的房子經常帶有我長大後所生活的地方的活力，但這可能會令觀眾迷惑。有時候，他們可能會感到迷失，不適應。其他時候，他們有一種自我控制的感覺，以及人的溫暖。我的房子一定會帶有我內心中那個小孩的感受，我的家一分為二。

今天，我繼續尋找那個家，我似乎已經忘記了自己生活於其中的葡萄牙傳統房屋，雖然我現在住在那裡。我用手機抓拍，並且編輯它們（就在我的手機上編輯），使他們儘可能靠近我的眼睛看到他們的感覺。我也在他們所在的地理和文化背景下記錄自己的個性。

Lonely Houses: Sejkko』s Surreal Photos of Traditional Portuguese Homes

The son of Portuguese immigrants in Venezuela, Manuel Pita, also known as 「Sejkko,」 is a scientist and photographer who expresses his creativity on Instagram. In his latest series, 「Lonely Houses,」 Sejkko』s surreal photos capture the traditional houses of Portugal, edited to 「bring them as close as possible to the way my eyes see them,」 he explains.

The name Sejkko is derived from the Japanese word seikko, which means 「sincere child」 and 「the power of truth」 – qualities that Sejkko seeks to convey in his art.

Through the colors, architecture and surroundings of the 「Lonely Houses,」 Sejkko transmits childhood memories of his feeling of home.

My 「lonely houses」 started when I was very little, and realized there was a dichotomy between the feeling of 「home」 I had inside of me, and what I was perceiving outside, in the place where I was born.

Looking back into it all, I feel I was a child who, born in the tropics, seemed to carry memories from another home. A home of soft tones, and almost imperceptible, subtle sounds. The colours of my new home fascinated me, and at the same time, contrasted with the memory of home I carried inside me.

My houses often have the vibrancy of the place where I grew up, but they may confuse the viewer. Sometimes they may feel lost, and out of place. Some other times, they have a sense of self-containment, and of human warmth inside. My houses will always carry elements of the child in me, and my home dichotomy.

Today, I continue to search for that home I seem to have forgotten in the traditional houses of Portugal, where I live now. I capture them with my mobile phone, and edit them (also on my phone) to bring them as close as possible to the way my eyes see them. I am also documenting their own personalities, in the geographical and cultural context where they exist."

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